One OpenFX node. Film density, grain, halation and LUT export — for DaVinci Resolve.
Still from Mlis Mansion (2026) · graded in ReelSkillz Film Pro
Still from Mlis Mansion (2026) · graded in ReelSkillz Film Pro
Still from Mlis Mansion (2026) · graded in ReelSkillz Film Pro
Captured on Sony BURANO · S-Log3 → Rec.709 → RS Cinematic V1
Footage courtesy of Mlis Mansion (2026)
On a DaVinci Wide Gamut (DWG) timeline, place ReelSkillz Film between your input and output transforms. Three nodes, left to right.
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One OpenFX node — working colour space through grain.
Set Film Pro’s working space — DaVinci WG, ACEScct, ACEScg or Rec.709.
Shape contrast and rolloff on the viewer.
Deepen colour like film stock, per hue.
Three colour engines — clean commercial to gritty film.
Smooth shadow/highlight tinting across the range.
Resolution-aware, from 1080 to 6K.
Warm, organic glow around bright edges.
Bake the look to a standard .cube LUT.
One-time purchase. No subscription.
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Every tool ReelSkillz ships comes straight out of real production work — not a lab.
A Cambodian filmmaker with over a decade in the industry, Nov has shot feature films, music videos, and short films as a Director of Photography. Beyond the camera, he works deep in post-production and color. ReelSkillz Film distills that hands-on experience into tools you can drop straight into your own Resolve timeline.
Most LUT packs are made for a screenshot, not a timeline. They fall apart the moment you push exposure or grade a real scene.
Film Pro is a full node structure — a controllable, editable starting point instead of a one-click filter. It’s the exact setup we reach for on paid work, packaged so you keep full control of your grade.